Continuing with our trailer tribute to the VCI/United Home Video family, another slasher film from Oklahoma. They JUST wanted to have a slumber party...
I recently learned that Idaho-based producer/director Charles E. Sellier, Jr., died unexpectedly on Monday. He was 67.
Sellier is best known for writing the original novel The Life and Times of Grizzly Adams in 1972, which he later adapted as a film and a TV series starring Dan Haggerty.
But for horror fans, he's even better known for his long association with the Utah-based Sunn Classic company, producing oddball films and documentaries (mostly for television) like The Mysterious Monsters (1976), In Search of Noah's Ark (1976), The Bermuda Triangle (1979), The Legend of Sleepy Hollow (1980) and The Fall of the House of Usher (1982).
He also directed the notorious Silent Night, Deadly Night (1984), and served as a producer on The Boogens (1981). In more recent years, he had focused on Christian-themed films and TV programs, and he maintained a Web site at www.grizzlyadams.com.
The news is spreading across the Internet (or at least sites like Dread Central and FearNet) like wildfire: A direct sequel to the Texas oddity The Killer Shrews is in the works, featuring original star James Best.
In The Return of the Killer Shrews, Best will reprise his role as Captain Thorne Sherman, still haunted by the horrors he witnessed in the original film (which, if you haven't seen it, involved the creation of giant, poisonous shrews). He's unwittingly drawn back to the shrew island when he agrees to carry the cast and crew of a reality TV show to the location, along with his first mate Rook (fellow Dukes of Hazzard alum Rick Hurst).
Another former Hazzard County resident, John Schneider, will appear as an animal expert, and according to the poster the cast will also include country singer Mel Tillis. Steve Latshaw (Jack-O, Vampire Trailer Park) has signed on to direct.
Needless to say, I'm stunned by this announcement. I was so excited when I saw the news that I started a thread over at the Classic Horror Film Board, where director Latshaw quickly turned up offering to answer questions.
The film already has a Facebook page, and Latshaw says an official Web site should be up by the end of the week.
I'm a huge fan of the original, which was filmed in the Dallas area and released on a double bill with The Giant Gila Monster. Both films were originally produced and distributed by Gordon McClendon, a Dallas broadcasting legend who had hoped to launch his own movie studio under the McClendon Radio Pictures banner.
McClendon shot both of his horror films back to back in early 1959, and premiered in Dallas that June. He followed those two films with My Dog Buddy, a kiddie flick written and directed by Shrews director Ray Kellogg.
McClendon (who appears in the film as Dr. Rathford Baines) built a studio complex near Denton, Texas, to support his filmmaking enterprise, but he abandoned production after making just three films in 1959. McClendon did, however, obtain a contract with United Artists to produce promotional campaigns for the studio's films, and the McClendon family later owned nearly 100 movie theaters. In addition to owning radio stations all over the country, he also ran unsuccessfully for the senate and for governor in Texas, wrote several books, was a shareholder in Columbia Pictures, and has been accused in the past of having a role in the Kennedy assassination.
Filming on the sequel is expected to begin in Los Angeles early this year. For those of you wondering if there really ARE such things as killer shrews, the answer is "Yes!" -- sort of. Short-tailed shrews, it turns out, are among the only poisonous mammals on the planet. The shrews use the venom to immobilize their prey (typically worms, snails, mice and small birds). The literature is silent on the extended trailer's assertion that "shrews like these have been known to attack a pack of wolves and devour them without a trace."
The Dead Next Door is a blog about regional or "backyard" horror and science fiction films made from the late 1950s to the earlyl 1990s (and beyond). These films were released during the peak years of independent film production, created by a motley crew of seasoned pros, gifted amateurs, and enthusiastic genre fans, along with dozens of eccentric dreamers -- doctors, lawyers, insurance salesmen, publishers, commercial filmmakers, TV production crews and moonlighting pornographers -- all looking for their big break or a fast buck or both.