New DVD announcements have been piling up, but I've been too busy to parse through all of them. Here's a quick rundown:
First, Code Red continues to blow our minds with God's Bloody Acre and Tomcats due out in July, along with The Witchmaker, a runaway production filmed in Louisiana by L.Q. Jones.
The company will also release a bonanza of low-budget oddities under its "Maria's B Movie Mayhem" banner, with former WWE eye candy and Playboy model Maria Kanellis hosting. Regional titles in the series slated for September will include Mardi Gras Massacre from Louisiana and the Arizona film Haunted, along with double bills of Scream/Barn of the Naked Dead and Love Me Deadly/Curious Case of the Campus Corpse.
Future titles in the series will include the killer bigfoot flick Night of the Demon, Vampire at Midnight, and a double bill of Teenage Hitchhikers/Teenage Tramp.
Scorpion Releasing (which you may recall is run by Code Red honcho Bill Olsen's brother Walter), meanwhile, has announced its own line of low-budget horror films hosted by a former half-naked WWE/TNA starlet, "Katarina's Nightmare Theater." Katarina Leigh Waters will introduce films like the North Carolina slasher flick Final Exam, along with The Incubus, Humongous, House on Sorority Row, The Carpenter, the promisingly titled American Nightmare (sadly, it's really Canadian), and the ludicrous killer baby film The Devil Within Her.
Something Weird will release its first Blu-Ray offerings via Image Entertainment: Basket Case, the H.G. Lewis "Blood Trilogy" (Blood Feast, Two Thousand Maniacs, Color Me Blood Red), and Frank Henenlotter's recent H.G. Lewis documentary Godfather of Gore. Basket Case will be sourced from the original (previously lost) 16mm negative, so it will look even better than when it was first released to theaters as a 35mm blow up.
Over at VCI, the 12-film Scream Theater package was finally released after being held up by "rights issues." Not sure what those problems were, since the one title that is definitely no longer public domain, the New Jersey film Alice, Sweet Alice, is still on the set. S.F. Brownrigg's Don't Open the Door is also included.
Finally, Synapse Films has announced DVD/Blu-Ray combo packs of Frank Henenlotter's Frankenhooker (New York), Maniac Cop (not technically a regional, but filmed partly in New York), and the James Glickenhaus film The Exterminator.
An unholy amalgam of the work of New Hampshire's Brett Piper and New Jersey's Samuel M. Sherman. And yes, that is Flick from A Christmas Story turning his grandpa's laser disc player into a death ray. "They're back from the dead and they don't eat potato salad."
Released the same year as John Carpenter's Halloween, Alien Zone (a.k.a. House of the Dead) is one of just a handful of American omnibus films from the 1970s that has become a staple of public domain DVD collections. The title is a non-sequitur; there are no aliens. Instead, it's a straightforward, EC Comics-style presentation with a ghoulish mortician relaying four stories to a philandering conventioneer who has wandered into his funeral home during a rain storm. Unfortunately, the film never matches the effectiveness of the opening segment (about some Halloween-masked, candy corn-fanged kids terrorizing a grumpy school teacher).
Alien Zone is also one of the few genre items of that era (or any era, for that matter) directed by a woman. Oddly, none of the articles I've found about the movie mention director Sharron Miller. Miller was an Oklahoma State University grad who went on to a successful career in television, making it doubly strange that even the local press failed to profile her.
From the Tri City Herald, June 27, 1978:
Sooner the better says movie mogul
By David Egner, Associated Press Writer
Oklahoma City -- Hollywood, look out. Moviemaking has come to Oklahoma.
"We can do anything here we can do in California," said Oklahoma movie producer Arthur Leonard. "I'm trying to start an excitement here... I want to bring the film and TV industry to Oklahoma."
Leonard, who has completed work on one movie and hopes to produce at least five more in Oklahoma, said the state offered moviemakers low production costs and a variety of settings for films.
"Five Faces," a fantasy thriller about five corpses that come to life, cost $600,000 to film in the Oklahoma cites of Stillwater, Ponca City and Yale last November and December, Leonard said.
Making the same film in California would have cost at least $1.2 million, the producer said.
"People here let you use their facilities for less," Leonard said.
An example, he said, was a hospital that charged only $50 per day to be used as the scene of filming for "Five Faces."
Leonard's film company, Myriad Cinema International, is based in the heartland of Oklahoma wheat country, the city of Enid.
Enid, with a population of about 45,000, became the movie capital of Oklahoma because it is the home of Leroy and Marvin Boehs, two oilmen who've agreed to supply $500,000 in financing for each of six Myriad films, Leonard said.
There are also smaller investors in the company.
"If you make a fairly good film, you can't have a dry hole," Leonard said, turning to oil industry terminology to describe what he considers the bright financial outlook for Warner Brothers and Columbia Studios, but always on B-grade films, he said.
Leonard moved to Oklahoma seven years ago for a land promotion, and has since been engaged in writing and public relations work.
"I like this state because here I could be No. 1" among movie producers, Leonard said, since no other feature film companies are headquartered in Oklahoma.
In Oklahoma, "You're not governed by studio bosses, you're doing your own thing. The only thing that's lacking here is a studio," the producer said, but he has plans to change that.
Myriad expects to turn a Stillwater armory into a studio in September.
"Five Faces," starring John Erickson, is scheduled to be released this summer.
From BoxOffice, November 27, 1978:
Over 200 Attend Bow of 'Alien Zone,' Enjoy Bizarre Evening in Stillwater
STILLWATER, OKLA. -- About 200 curious people withstood pouring rain outside the Aggie Theatre here Tuesday night (14) for a chance ot attend the world premiere of a locally produced horror film, "Alien Zone," writes Mark Weatherford for the Daily Oklahoman. His story is quoted, in part, below.
Rain Curtails Fun
Ceremonies outside were shortened by the rain, forcing the film's executives and honored guests -- who arrived in a funeral hears and limousine -- to make a quick run inside.
Once inside, however, spirits were restored as patrons shook hands with the filmmakers who expressed happiness with the turnout despite the rain.
"We planned it this way so it would match the first scene of the movie," laughed executive producer Arthur Leonard of Oklahoma City.
"This really tells me something about Oklahoma's spirit," said Australian-born Richard Cassidy of Jupiter Films, distributor of the movie.
Funeral March Featured
To herald the beginning of the movie, a scaled-down funeral procession complete with trumpets, drum, pallbearers and casket, marched down the aisle of the packed theater.
The film is a five-vignette anthology of a horror story linked together by the tales of a strange mortician told to his unexpected guest on a rainy night.
Originally shot under the title "Five Faces of Terror," the movie was filmed in Stillwater last November and December, with additional scenes shot in Ponca City and Yale.
The film originated when Leonard, a retired Hollywood filmmaker, and William Jackson, an OSU broadcasting and film instructor, decided to capitalize upon the availability of non-unionized OSU broadcasting students as well as the enthusiasm such a project would generate.
After gaining the financial support of Enid businessmen Leroy and Marvin Boehs, Leonard began work as executive producer for the $685,000 film, produced under the name of Myriad Cinema, Inc., Oklahoma City.
The Dead Next Door is a blog about regional or "backyard" horror and science fiction films made from the late 1950s to the earlyl 1990s (and beyond). These films were released during the peak years of independent film production, created by a motley crew of seasoned pros, gifted amateurs, and enthusiastic genre fans, along with dozens of eccentric dreamers -- doctors, lawyers, insurance salesmen, publishers, commercial filmmakers, TV production crews and moonlighting pornographers -- all looking for their big break or a fast buck or both.